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151 classes written · 160 in the ladder
4 subjects · 40 classes each · 5 bands
The ladder starts where a learner actually is and climbs one band at a time. Each tier gives all four subjects the same number of classes, and the count rises as the bands narrow — six at the start, ten at the top, because the gap between Band 8 and Band 9 is made of more things than the gap below it.
Eight short classes on how the exam works. No questions, no marks — they run before the ladder starts.
Class numbers run 1 to 40 across the whole path, so class 23 means one thing wherever it is mentioned.
| Class | Reading | Writing | Speaking | Listening |
|---|---|---|---|---|
| Core | ||||
| 1 | Skimming and scanning | Task 1 — the right structure | Part 1 — full sentences, not one word | Predicting answers before you hear them |
| 2 | True, False, Not Given | Words for describing change | Part 2 — filling the full two minutes | Numbers, spelling and dates |
| 3 | Matching headings | Task 2 — understanding the question | Part 3 — opinion and reasoning | Following a conversation with two speakers |
| 4 | Vocabulary in context | Task 2 — the four-paragraph structure | Fluency — filler phrases instead of silence | Map and plan questions |
| 5 | Managing sixty minutes across three passages | Linking words beyond 'and' and 'but' | Pronunciation habits that cost a band | Multiple choice — spotting the paraphrase |
| 6 | Common band-5 mistakes, and the fix | Grammar mistakes that cap you at band 5 | What the examiner is actually listening for | What to do the moment you miss an answer |
| Band 5→6 | ||||
| 7 | Matching information | Task 1 — selecting the data that matters | Part 1 — a reason that actually explains the answer | Filling gaps with the exact word, not a paraphrase |
| 8 | Matching features | Task 1 — combining two charts into one report | Part 2 — answering all four points on the card | Following spoken directions on a plan or map |
| 9 | Sentence completion | Task 1 — line graph language: trend, fluctuation, comparison | Part 3 — comparing two ideas, not just describing one | Choosing two correct answers, not one |
| 10 | Summary completion with a word bank | Task 2 — the "discuss both views" essay | Everyday words with more range than 'good', 'nice', and 'fun' | Matching each speaker to their own opinion |
| 11 | Short-answer questions | Task 2 — the advantages/disadvantages essay | Catching and fixing your own mistake without losing your flow | Tracking three or four voices in an academic discussion |
| 12 | Fact vs. opinion vs. claim | Paraphrasing the question accurately | Intonation — sounding interested, not flat | Spelling a name or code you have never seen written |
| 13 | Common band-6 mistakes | Common Band 6 mistakes | The mistake that caps good ideas at Band 5 | Hearing it right, writing it wrong |
| Band 6→7 | ||||
| 14 | Multiple choice: the almost-right trap | Task 1 — process diagrams | Part 1 — natural phrases, not textbook sentences | Section 4: staying with one voice for the whole talk |
| 15 | Diagram and flow-chart labelling | Task 1 — maps, before and after | Part 2 — precise words for the actual topic | Note completion when the headings are paraphrased, not copied |
| 16 | The writer's purpose and tone | Task 2 — the nuanced opinion essay | Part 3 — weighing both sides before you land | Hearing a speaker's attitude, not only their words |
| 17 | Reading between the lines: implication and inference | Task 2 — the problem/solution essay | Conditionals and comparatives, used naturally | Following a digression without losing your place |
| 18 | Following a multi-step argument across paragraphs | Subordination for precision, not decoration | Linking ideas across the whole answer | Doing the maths in your head while the audio keeps moving |
| 19 | Unfamiliar technical vocabulary: working it out | Cohesion beyond linking words | A topic you know nothing about | When two answers sound alike, only one is ever confirmed |
| 20 | Cross-referencing questions on the same paragraph | A fully developed example, not a vague one | Stress and rhythm — which words carry the weight | Flow-chart completion: turning a process into boxes and arrows |
| 21 | Common Band 7 mistakes | Common Band 7 mistakes — the lexical plateau | The mistake fluent, accurate speakers still make | Missing one sentence without losing the rest of the recording |
| Band 7→8 | ||||
| 22 | The writer's voice vs. a cited voice | Task 1 — unusual or hybrid charts, without panic | Part 1 — answering unexpected questions smoothly | Following an academic lecture even when a term is new to you |
| 23 | Reading qualifying language precisely | Task 2 — the two-part question | Part 2 — a genuinely engaging two-minute story | Catching a speaker's self-correction before you write the wrong answer |
| 24 | Parsing long, complex sentences | Precise academic vocabulary, not vague words | Part 3 — abstract questions about society and change | Tracking who ends up right when two speakers disagree |
| 25 | Tracking a passage's shifting argument | Collocations that native-level writing uses automatically | Precise vocabulary — the exact word, not a rough guess | Hearing what is meant, not just what is said |
| 26 | The closest, most dangerous Not Given trap | Task 2 — anticipating the counter-argument | Natural idiomatic expressions, not forced ones | Untangling fast, natural speech into the words underneath it |
| 27 | Speed without losing accuracy | Punctuation and complex-sentence control, under time pressure | Recovering smoothly from hesitation or a wrong word | Recognising the same English across different accents |
| 28 | Three hard question types, back to back | Task 1 — a genuinely balanced overview, not a list in disguise | Sustaining a sophisticated argument across Part 3 | Staying accurate when the audio throws in a distraction |
| 29 | Reviewing in the last two minutes | Task 2 — conclusions that add insight, not just restate the thesis | Pronunciation — sounds Bangla speakers most often miss | Using the ten-minute transfer time to actually catch mistakes |
| 30 | Common band-8 mistakes | Common Band 8 mistakes | Common Band 8 mistakes — one repeating pattern, not many | The one small lapse that costs a Band 8 listener a single answer |
| Band 8→9 | ||||
| 31 | Reading once, not twice | One position, held all the way | Hesitation about the idea, not the word | Section four, with no signposts |
| 32 | The paraphrase chain | Answer the counter-argument | Not written yet | The correction is the answer |
| 33 | Not Given, at its hardest | The exact word beats the big word | Not written yet | An accent you have not met |
| 34 | The verb that carries the stance | An overview, not a list in disguise | Not written yet | Who ends up agreeing |
| 35 | Two options that both look right | Unusual charts, without panic | Not written yet | Numbers that sound alike |
| 36 | When a name appears three times | Cohesion you cannot see | Not written yet | Spelling a name you have never seen |
| 37 | Summary completion, no word bank | Complex sentences, under the clock | Not written yet | A paraphrase three words long |
| 38 | Unpacking a heavy noun phrase | The two-part question, answered fully | Not written yet | Holding the thread through a digression |
| 39 | Questions that cross paragraphs | A conclusion that adds something | Not written yet | The last two questions of a section |
| 40 | The last five minutes | Repairs that pay, in five minutes | Not written yet | Ten minutes to transfer |
Speaking Band 8→9 is being written now — nine of its ten classes are still to come.
The ladder is every class there is. This rule is how many of them a learner needs to move up — the number shown on Home, in the classrooms and on the “Classes to reach Band” bar.
Why not 24 every time: neighbouring bands share classes. What was learned for Band 6→7 carries into Band 7→8, so the second band needs 16 new classes, not 24. Band 6→7 is 24. Band 6→8 is 40, not 48.
| From Band 5 to | Classes | How | Per subject |
|---|---|---|---|
| Band 6 | 24 | 24 | 6 |
| Band 6.5 | 32 | 24 + 8 | 8 |
| Band 7 | 40 | 24 + 16 | 10 |
| Band 8 | 56 | 24 + 16 + 16 | 14 |
| Band 9 | 72 | 24 + 16 + 16 + 16 | 18 |
Formula: classes = 24 + 16 × (bands up − 1), and at least 24. Half a band counts as half: +8.