BandGuru

Your Personal IELTS Tutor

151 classes written · 160 in the ladder

Every class, and where it sits

4 subjects · 40 classes each · 5 bands

The ladder starts where a learner actually is and climbs one band at a time. Each tier gives all four subjects the same number of classes, and the count rises as the bands narrow — six at the start, ten at the top, because the gap between Band 8 and Band 9 is made of more things than the gap below it.

Knowing IELTS

Eight short classes on how the exam works. No questions, no marks — they run before the ladder starts.

The ladder

Class numbers run 1 to 40 across the whole path, so class 23 means one thing wherever it is mentioned.

Every BandGuru class by subject and band.
ClassReadingWritingSpeakingListening
Core
1Skimming and scanningTask 1 — the right structurePart 1 — full sentences, not one wordPredicting answers before you hear them
2True, False, Not GivenWords for describing changePart 2 — filling the full two minutesNumbers, spelling and dates
3Matching headingsTask 2 — understanding the questionPart 3 — opinion and reasoningFollowing a conversation with two speakers
4Vocabulary in contextTask 2 — the four-paragraph structureFluency — filler phrases instead of silenceMap and plan questions
5Managing sixty minutes across three passagesLinking words beyond 'and' and 'but'Pronunciation habits that cost a bandMultiple choice — spotting the paraphrase
6Common band-5 mistakes, and the fixGrammar mistakes that cap you at band 5What the examiner is actually listening forWhat to do the moment you miss an answer
Band 5→6
7Matching informationTask 1 — selecting the data that mattersPart 1 — a reason that actually explains the answerFilling gaps with the exact word, not a paraphrase
8Matching featuresTask 1 — combining two charts into one reportPart 2 — answering all four points on the cardFollowing spoken directions on a plan or map
9Sentence completionTask 1 — line graph language: trend, fluctuation, comparisonPart 3 — comparing two ideas, not just describing oneChoosing two correct answers, not one
10Summary completion with a word bankTask 2 — the "discuss both views" essayEveryday words with more range than 'good', 'nice', and 'fun'Matching each speaker to their own opinion
11Short-answer questionsTask 2 — the advantages/disadvantages essayCatching and fixing your own mistake without losing your flowTracking three or four voices in an academic discussion
12Fact vs. opinion vs. claimParaphrasing the question accuratelyIntonation — sounding interested, not flatSpelling a name or code you have never seen written
13Common band-6 mistakesCommon Band 6 mistakesThe mistake that caps good ideas at Band 5Hearing it right, writing it wrong
Band 6→7
14Multiple choice: the almost-right trapTask 1 — process diagramsPart 1 — natural phrases, not textbook sentencesSection 4: staying with one voice for the whole talk
15Diagram and flow-chart labellingTask 1 — maps, before and afterPart 2 — precise words for the actual topicNote completion when the headings are paraphrased, not copied
16The writer's purpose and toneTask 2 — the nuanced opinion essayPart 3 — weighing both sides before you landHearing a speaker's attitude, not only their words
17Reading between the lines: implication and inferenceTask 2 — the problem/solution essayConditionals and comparatives, used naturallyFollowing a digression without losing your place
18Following a multi-step argument across paragraphsSubordination for precision, not decorationLinking ideas across the whole answerDoing the maths in your head while the audio keeps moving
19Unfamiliar technical vocabulary: working it outCohesion beyond linking wordsA topic you know nothing aboutWhen two answers sound alike, only one is ever confirmed
20Cross-referencing questions on the same paragraphA fully developed example, not a vague oneStress and rhythm — which words carry the weightFlow-chart completion: turning a process into boxes and arrows
21Common Band 7 mistakesCommon Band 7 mistakes — the lexical plateauThe mistake fluent, accurate speakers still makeMissing one sentence without losing the rest of the recording
Band 7→8
22The writer's voice vs. a cited voiceTask 1 — unusual or hybrid charts, without panicPart 1 — answering unexpected questions smoothlyFollowing an academic lecture even when a term is new to you
23Reading qualifying language preciselyTask 2 — the two-part questionPart 2 — a genuinely engaging two-minute storyCatching a speaker's self-correction before you write the wrong answer
24Parsing long, complex sentencesPrecise academic vocabulary, not vague wordsPart 3 — abstract questions about society and changeTracking who ends up right when two speakers disagree
25Tracking a passage's shifting argumentCollocations that native-level writing uses automaticallyPrecise vocabulary — the exact word, not a rough guessHearing what is meant, not just what is said
26The closest, most dangerous Not Given trapTask 2 — anticipating the counter-argumentNatural idiomatic expressions, not forced onesUntangling fast, natural speech into the words underneath it
27Speed without losing accuracyPunctuation and complex-sentence control, under time pressureRecovering smoothly from hesitation or a wrong wordRecognising the same English across different accents
28Three hard question types, back to backTask 1 — a genuinely balanced overview, not a list in disguiseSustaining a sophisticated argument across Part 3Staying accurate when the audio throws in a distraction
29Reviewing in the last two minutesTask 2 — conclusions that add insight, not just restate the thesisPronunciation — sounds Bangla speakers most often missUsing the ten-minute transfer time to actually catch mistakes
30Common band-8 mistakesCommon Band 8 mistakesCommon Band 8 mistakes — one repeating pattern, not manyThe one small lapse that costs a Band 8 listener a single answer
Band 8→9
31Reading once, not twiceOne position, held all the wayHesitation about the idea, not the wordSection four, with no signposts
32The paraphrase chainAnswer the counter-argumentNot written yetThe correction is the answer
33Not Given, at its hardestThe exact word beats the big wordNot written yetAn accent you have not met
34The verb that carries the stanceAn overview, not a list in disguiseNot written yetWho ends up agreeing
35Two options that both look rightUnusual charts, without panicNot written yetNumbers that sound alike
36When a name appears three timesCohesion you cannot seeNot written yetSpelling a name you have never seen
37Summary completion, no word bankComplex sentences, under the clockNot written yetA paraphrase three words long
38Unpacking a heavy noun phraseThe two-part question, answered fullyNot written yetHolding the thread through a digression
39Questions that cross paragraphsA conclusion that adds somethingNot written yetThe last two questions of a section
40The last five minutesRepairs that pay, in five minutesNot written yetTen minutes to transfer

Speaking Band 8→9 is being written now — nine of its ten classes are still to come.

How many classes a band takes

The ladder is every class there is. This rule is how many of them a learner needs to move up — the number shown on Home, in the classrooms and on the “Classes to reach Band” bar.

Why not 24 every time: neighbouring bands share classes. What was learned for Band 6→7 carries into Band 7→8, so the second band needs 16 new classes, not 24. Band 6→7 is 24. Band 6→8 is 40, not 48.

Classes needed, counted from Band 5.
From Band 5 toClassesHowPer subject
Band 624246
Band 6.53224 + 88
Band 74024 + 1610
Band 85624 + 16 + 1614
Band 97224 + 16 + 16 + 1618

Formula: classes = 24 + 16 × (bands up − 1), and at least 24. Half a band counts as half: +8.